- To be motivated and have a good work ethic.
- Confidence and the ability to accept criticism.
- To be adaptable and open to new ideas.
- You must hold a Bachelor of Visual Arts (Level 7) OR any equivalent qualification at a bachelor's level or above, with an overall grade of B (70%) or higher in your final year studio and essay papers.
- Normally, commencement of Honours study must occur within five years of the successful completion of your degree. Exceptions will require the approval of the Postgraduate Coordinator.
- You must submit an annotated portfolio, curriculum vitae and a project proposal. The portfolio must be no larger than 2MB.
- Selection for admission includes an interview.
- If you do not hold the above qualifications, you must demonstrate appropriate ability through a portfolio and associated writings which will be approved by the Postgraduate Admissions Committee.
- International students will be individually assessed to ensure they meet the entry requirements.
- If English is not your first language, you must provide:
- New Zealand University Entrance OR
- Overall Academic IELTS 6.5 with no individual band score lower than 6.0 (achieved in one test completed in the last two years), OR
- Acceptable alternative evidence of the required IELTS (see here for NZQA proficiency table and here for list of recognised proficiency tests).
If you need to improve your English Language skills, we offer a wide range of English programmes.
Application and Portfolio Requirements:
Your application should contain the following:
- A curriculum vitae of no more than two pages which lists the relevant qualifications and previous exhibiting histories and references or includes any reviews or responses which are relevant.
- An annotated portfolio with images that indicate the scope of the work to date in a focused way (2MB file size limit). These images should relate to your project proposal.
- A project proposal of 500-1,000 words with annotated bibliography.
Annotated portfolio details:
You should provide approximately 15 images of work (including images of installations where applicable). Each image should be numbered and correspond with an annotated list including information as to title, date, size, materials and position within your practice. Images should illustrate a range of work as well as development over a period of time. If available, you should attach exhibition catalogues, reviews, articles or any other material relevant to your work. There is a 2MB file size limit for the portfolio.
Please note: While all reasonable care will be taken, Otago Polytechnic does not accept responsibility for damage or loss of portfolio material.
Senior Lecturer: Professional Practices, Art History and Theory, Painting
Phone: 03 479 3741 / 0800 762 786
Location: Room P203, Dunedin School of Art, Riego Street, Dunedin
COVID-19 vaccination information
- As this programme is delivered on campus/on-site, you will need to provide us with a valid My Vaccine Pass before 1 February 2022 if you want to study with us.
- All locations where our teaching occurs face-to-face are classed as an Otago Polytechnic site.
- You will be asked to provide us with your My Vaccine Pass during your application and enrolment process.
- In exceptional circumstances, exemptions may be granted to this. You can find out more about this in our vaccination policy. If you think you have grounds to be exempt from our vaccination requirements, please email Covidemail@example.com
You must supply certified copies of your passport and visa (where appropriate).
Selection for admission includes an interview.
The cost of additional materials will vary according to individual projects. As an indication, you may borrow up to $1,000 in addition to any student allowance for course-related costs.
Further study options
Expand your career options further by studying towards the Master of Fine Arts.
You will study
By the end of the programme, you will be able to produce a proposal-based body of critically-engaged studio work and complete an extended essay of 5,000 words as a conceptual research paper contextualising the studio work produced.
The Dunedin School of Art has eight areas of studio practice: Ceramics, Electronic Arts, Jewellery & Metalsmithing, Painting, Photography, Printmaking, Sculpture and Textiles. The School of Design has four specialist areas: Communication, Fashion, Interior and Product Design. Postgraduate candidates may evolve unexpected relationships between traditional subjects or create new syntheses from them. As the organisation of your programme is shaped by your own proposal and desired end result, this qualification may be completed in one discipline, or across several.
A studio and a theory supervisor are appointed for each candidate. The Postgraduate Coordinator will help you to interface with staff and other students at the School of Art and the School of Design and with the arts community within Dunedin and elsewhere.
Regular studio critiques and more formal presentation of work during seminars and research workshops provide opportunity for feedback, discussion and debate.
Visiting artists and designers
An international visiting artists and designers programme feeds into your postgraduate studies and contributes to a community of practice, currency of ideas and valuable contacts.
Studio space and facilities
You are allocated a studio space and have around-the-clock access to project-related facilities. The Dunedin School of Art has consistently focused on the development of excellence in the material aspects of art-making; it is now one of the best-equipped art schools in New Zealand and is fully supported by fine technical staff. The School of Design is recognised as being at the forefront of design education in New Zealand and features include the best-equipped advanced prototyping facility in Australasia.
Dunedin is a city with many exhibition facilities ranging from small informal galleries to large, public spaces like the Dunedin Public Art Gallery. A number of fine regional galleries offer further exhibition spaces.
The Dunedin School of Art has played a part in visual arts education since its establishment in 1870. It was the first in New Zealand and the world's southernmost school of art and, under the helm of Con Hutton followed by Gordon Tovey, it developed a legacy of academic excellence and artistic individuality. Over the years the school has attracted such students as Colin McCahon, Anne Hamblett, Doris Lusk and Lisa Walker; more recent graduates include Rachel Rakena who exhibited at the Venice Biennale in 2008 and Emma Bugden who became director of ArtSpace Auckland in 2008.
Individuals choose the Dunedin School of Art at Otago Polytechnic for its resource competitiveness, quality of teaching and supervision and its sense of community. Our points of difference are our interest in an integrated theory/studio learning environment and our ability to retain well-equipped workshops in all technical areas with appropriate technical support. Our position within a supportive Polytechnic enables this.
Our graduates work in all fields of art, often complementing their own practice with curatorial work, teaching, public art projects, design projects or work in the arts access field. The skills they learn are transferable to a wide variety of employment situations.
You will participate in a weekly public seminar and postgraduate workshop (12.30pm-5.30pm) where you will have the chance to interact with your fellow students. A one hour weekly meeting with your supervisor(s) will also give you the opportunity to hone your ideas and seek specialist advice in a more intimate environment. The rest of your time will be spent in self-directed study in your studio alongside your postgraduate peers, producing the necessary work to successfully complete the qualification. The School provides around the clock access to its facilities, allowing you the flexibility to study alongside part-time employment or other commitments.
The two semesters operate in conjunction to build from semester one - in which you develop a body of studio work along with a draft essay of 3,000 words for critical feedback - through to semester two - at the end of which you successfully complete the body of studio work and also extend the essay to a length of 5,000 words. In this programme, writing and studio work generate a single project outcome/grade.
Studio Project Part One
Studio Project Part Two
Student loans and allowances are for domestic students only. For information about student loans and allowances please visit the Studylink website. It is important to apply for your student loan/allowance at the same time as you apply for this programme, due to the length of time Studylink take to process. Loan/allowance applications can be cancelled at any time if you decide to withdraw your programme application or if it is unsuccessful.
Recognition of prior learning
If you already have extensive knowledge and skills gained from practical experience in this area, enquire about our recognition of prior learning process at Capable NZ. You may have already gained credits towards this qualification in the course of your life.
Links to useful websites
Connect with School of Art students, graduates and staff on our very active Facebook page.
While every effort is made to ensure that this sheet is accurate, Otago Polytechnic reserves the right to amend, alter or withdraw any of the contained information. The fees shown in this document are indicative ONLY. Both domestic and international fees are subject to change and are dependent on the development and implementation of Government policies. Please note that additional fees may from time to time be required for external examination, NZQA fees and/or additional material fees.